Alice Scott is an eternal optimist still dreaming of her big writing break. Hayden Anderson is a Pulitzer-prize winning human thundercloud. And theyâre both on balmy Little Crescent Island for the same reason: to write the biography of a woman no one has seen in yearsâor at least to meet with the octogenarian who claims to be the Margaret Ives. Tragic heiress, former tabloid princess, and daughter of one of the most storied (and scandalous) families of the twentieth century.
When Margaret invites them both for a one-month trial period, after which sheâll choose the person whoâll tell her story, there are three things keeping Aliceâs head in the game.
One: Alice genuinely likes people, which means people usually like Aliceâand she has a whole month to win the legendary woman over.
Two: Sheâs ready for this job and the chance to impress her perennially unimpressed family with a Serious Publication.
Three: Hayden Anderson, who should have no reason to be concerned about losing this book, is glowering at her in a shaken-to-the core way that suggests he sees her as competition.
But the problem is, Margaret is only giving each of them pieces of her story. Pieces they canât swap to put together because of an ironclad NDA and an inconvenient yearning pulsing between them every time theyâre in the same room.
And itâs becoming abundantly clear that their storyâjust like the tale Margaretâs spinningâcould be a mystery, tragedy, or love ballad . . . depending on whoâs telling it
Why You Should Read This Book
Tropes
Trigger Warnings
Great Big Beautiful Life
âAll I ever want is to be around you. Itâs not just sex. I mean, I do want to have sex with you.â
âWhen you donât have the people who love you around, reminding you who you are, that story feels bigger and realer than anything else. You lose yourself inside the character with your name and face.â
âBut if you want something done right, you donât go with easy. Iâve thought about it, and this is how I want to do it.â
âI wanted to punish them, honestly, but I couldnât figure out any way to do it. The best I could come up with was giving them more spectacle, feeding their unquenchable thirst for drama. They wanted a madwoman, and thatâs what I was. I ripped up our gardens and left all the flowers in trash cans at the gate. I left the house barefoot, and chopped off my hair with a pair of kitchen scissors. I wore the same dress Iâd worn to our wedding to the burial, and I relished every headline about my deranged behavior, because at least it seemed like proof that I had some control over who they said I was. After a couple of weeks, that stopped soothing the ache and all I wanted was to be alone. To feel my pain completely, without interruption. I sent my mother home, paid the staff, and let them go.â
âI feel like youâre mine. Like youâre mine in a way no one else ever has been.â
âWell, if youâd like, I can get you my momâs phone number and the two of you can compare notes about all the more impressive jobs I couldâve had, and then I can reach out to your dad and let him know I agree you shouldâve played basketball in high school.â
âDonât try to talk me out of it, Alice. Every time we try to protect each other, all it does is cost us more time together, and Iâm not willing to lose any more. I want to be with you. Nothing else is going to matter to me more than that. Not at the end of my life. Not even now. Nothing will matter more than who I spent my time with, and I want it to be you. I need it to be you.â
âMy point is, if youâre ready to tell your story, you deserve to have it told exactly how you want it to be. It needs to be yours, no one elseâs. And that only works if youâre doing this with someone you completely trust. But I can promise you, if you end up wanting to write this book together, your voice will be front and center. Thatâs my top priority. Making sure itâs your story."
âPretending everythingâs fine only works for so long. And I donât know. It freaks me out a little, that I couldâŚthat I could feel like this, about someone whoâs good at pretending to be fine. That I could miss it, if youâre actually not. It was about me. Like you said.â
âIâve always felt most myself when Iâm alone.â
âYou know, my mother was ahead of her time. The kind of woman who wanted to have it all. She knew she deserved it too. But the problem is, once you love someone, you canât have it all anymore. Love comes with sacrifice. Thatâs how it works.â
âShe lies to me too. For whatever itâs worth, Margaret Ives isnât telling me the truth.â
âDonât take this the wrong way, but you sound like a robot learning to love.â
âSometimes I just miss this. Being close to someone. Being touched. Not just sex, I mean.â
âInappropriate? I didnât think so. Curious? Exceptionally, seeing as how my husband had to have passed away at least thirty years before you were even born.â
âI understood what really mattered. I understood my priorities. I understood what, in this life, was nonnegotiable for me. A lot of people donât find that out until itâs too late. They wait to say things, and they donât get the chance. So collecting other peopleâs stories, learning from their mistakes, it is a gift too. You are who you are right now in part because of what you did for Len and his family. You canât control any of that other stuff you worry about, but you can control what you do.â
âItâs just that somehow, almost everything you say makes me want to kiss you.â
âI promise. I love touching you. I love kissing you. I love hanging out with you. I love this.â
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